Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free.
For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy. Collect web pages? Who’d want to read a book on a screen? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. The key is to keep improving—and to keep it free.
We have only 150 staff but run one of the world’s top websites. We’re dedicated to reader privacy.
We never accept ads. But we still need to pay for servers and staff.
The Internet Archive is a bargain, but we need your help. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive. Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on.
Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free. For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy. Collect web pages? Who’d want to read a book on a screen?
S Anderson
For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We’re dedicated to reader privacy. We never accept ads.
But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive. Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free.
For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy. Collect web pages? Who’d want to read a book on a screen? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This.
We’re dedicated to reader privacy. We never accept ads. But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive.
Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free. For the cost of a used paperback, we can share a book online forever.
When I started this, people called me crazy. Collect web pages?
Who’d want to read a book on a screen? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We’re dedicated to reader privacy.
We never accept ads. But we still need to pay for servers and staff. If you find our site useful, please chip in.
—Brewster Kahle, Founder, Internet Archive. Humorous radio drama about a day in the life of a bicultural women in the United States. Funded by a grant from the Corporation for Public Broadcasting and the Satellite Program Development Fund of National Public Radio.
Cast: Elizabeth Pena. Written, adapted for radio, and directed by Dolores Prida, and performed by Elizabeth Pena.
Produced by Adina Back and Felipe Gorostiza. Engineered by Joseph DePersia with thanks to Bob Standar and the Roxy Studios. Recorded at Roxy Studios in New York City by Teatro Theatre Duo. Broadcast in WBAI, 18 Nov. Notes RESTRICTED. Please contact the Pacifica Radio Archives if you wish to use any portion of this recording in any published work or performance. Permissions, licensing requests, and all other inquiries should be directed in writing to: Pacifica Radio Archives c/o Archives Director, 3729 Cahuenga Blvd.
West, North Hollywood, CA 91604, 800-735-0230 x 263, fax 818-506-1084, info AT pacificaradioarchives.org, The Pacifica Radio Archives will honor all takedown requests in compliance with the Digital Millennium Copyright Act and other applicable intellectual copyright laws. Claimants are advised to leave detailed contact information including name, telephone number, e-mail address, and/or physical address where they may be reached, as well as all information pertaining to the specific nature of the complaint.
The preservation of these tapes was funded by a grant from the National Historic Publications and Records Commission. Preservation services provided by George Blood Audio and Video. Rights RESTRICTED. Please contact the Pacifica Radio Archives if you wish to use any portion of this recording in any published work or performance. Permissions, licensing requests, and all other inquiries should be directed in writing to: Pacifica Radio Archives c/o Archives Director, 3729 Cahuenga Blvd. West, North Hollywood, CA 91604, 800-735-0230 x 263, fax 818-506-1084, info AT pacificaradioarchives.org, The Pacifica Radio Archives will honor all takedown requests in compliance with the Digital Millennium Copyright Act and other applicable intellectual copyright laws.
Claimants are advised to leave detailed contact information including name, telephone number, e-mail address, and/or physical address where they may be reached, as well as all information pertaining to the specific nature of the complaint. The preservation of these tapes was funded by a grant from the National Historic Publications and Records Commission. Preservation services provided by George Blood Audio and Video.
Breaking Boundaries has as its primary intention just what the title implies: to reevaluate the paradigmatic and often divisive categories set forth by the literary establishment, whether those be cultural, linguistic, literary, academic, political, or sexual. We focus on an already extensive and rich body of literature written by Latina women, yet virtually unrecognized by institutions of power (universities, departments, publishing houses, media), although, fortunately, there are some exceptions. As scholars, we do not consent to the discriminatory practices that perpetuate this marginalization. It is part of our effort, then, to make this literature less than marginal, to give it visibility and accessibility so that a larger audience can come to know it. We came together as a panel at the Tenth Symposium of Spanish and Portuguese Bilingualism held at the University of Massachusetts at Amherst in November 1986. It was then that we decided to work together as editors to make a book of those papers.
With the exception of Nicholasa Mohr's 'Puerto Rican Writers in Puerto Rico, Puerto Rican Writers in New York: A Difference Beyond Language', all of the papers were written specifically for this book by authors who have been working in this field. Whereas it is not possible to make available to readers the entire scope and complexity of Latina writing within the parameters of this one book, we do aim to contribute to a better understanding of the historic and literary processes that give rise to this literature. For this reason, we have chosen a socio-historical approach in both these preliminary considerations and the essay by Sternbach/Ortega. It proved impossible to deal with all the issues concerning Latina discourse, but our book does represent a wide variety of approaches to the Latina texts under discussion.
We do hope that exposure to these texts, as well as access to the bibliography, will act as stimuli to encourage further reading of, and research on, Latina.
Author by: Harry van der Hulst Language: en Publisher by: Walter de Gruyter Format Available: PDF, ePub, Mobi Total Read: 21 Total Download: 508 File Size: 44,8 Mb Description: The series is a platform for contributions of all kinds to this rapidly developing field. General problems are studied from the perspective of individual languages, language families, language groups, or language samples. Conclusions are the result of a deepened study of empirical data. Special emphasis is given to little-known languages, whose analysis may shed new light on long-standing problems in general linguistics.